kuro20:

Tutorial - Curves on Girls by *Ai-Bee

fucktonofanatomyreferencesreborn:

A great fuck-ton of male anatomy references.

[From various sources]

stickysheep:

mentalward6ix:

fucktonofanatomyreferencesreborn:

An adequate fuck-ton of hood-like references.

[From various sources]

Oh yeah

This is extremely helpful!

16 . 04 . 14 clothing    +18616

ktshy:

helpfulharrie:

!! Woah guys! Pixelovely’s new tools are finally out, one for hands & feet, and one for faces!

There’s now 429 photos of hands & feet, and 314 photos of faces. Dang!!

This is super cool news and I certainly can’t wait to start using them haha

I’ve got tons of tutorials on hands, feet and faces in their relevant tags, so be sure to check those out too nwn

Check out Pixelovely! I usually start my drawing day by warming up with the figure drawing practice sessions.

14 . 04 . 14 resources    +42868

palidoozy-art:

Hey Anon! Sorry I took so long to answer this—I wanted to do something more in-depth over just a ‘ok draw a circle now MAKE IT AWSUM.’ I also tried to recall from other tutorials stuff in them I didn’t feel like they spoke about.

also—I’m very sorry I don’t have more advice to give about ears. I am not completely confident with them yet! Gotta keep practicing.

As always, I am not 100% correct on everything, so feel free to use what you want and ignore what you don’t want!

Here’s some more tutorials on noses and ears that might be helpful, if this one isn’t:

Step-by-step coloring nose tutorial

Another nose tutorial!

Ear tutorial by the same artist. This artist has TONS of other useful tutorials too, btw!

More noses.

7 . 04 . 14 faces  heads    +12481

sephxual:

Pixel Fonts (almost all that I have installed) :feat. cutie size ↴

15x5 |
 
handy |
 
8-bit-1-6 |
 
5x5 Pixel |
 
apple |
 
angie atore |
 
copy 10 56
 |

elektra | golden sun | final-fantasy | final fantasy vii | minipower | press start 2p | puke force 8 | Munro Narrow /Munro /Munro Small | pf arma five | pf tempesta five | pf ronda seven | pf tempesta seven | pixel unicode | pixelade | pixelmix | silkscreen /silkscreen expanded | skinny | smallest pixel 7 | symtext | super effective | Visitor TT1 BRK | victors pixel | Visitor TT2 BRK | volter | wendy | xg pixo

lexxercise:

I’ve been getting a lot of asks lately about the brushes and textures I use in my work, so here’s a BIG FAT REFERENCE POST for those of you who were curious! Bear in mind that I’m really lazy and don’t know what half the settings do, so don’t be afraid to experiment to figure out what works best for you :>

BRUSHES

Pencil

I use the pencil tool with SAI’s native paper texture both for sketching and for applying opaque color with no blending. Lower opacities give it the feel of different pencil hardnesses, while full opacity makes it more like a palette knife, laying down hard-edged, heavy color for detail work or eventual blending with other brushes.

Ink Pen

Mostly made this because I’m lazy and I didn’t want to have to keep turning my textures off/opacity up when I wanted to ink something (even though I don’t do it very often), or lay down flat colors. I find the line quality to be much more crisp than Photoshop, and you can manually adjust in-program stabilization to help smooth out hand wobbles.

Round Brush

The plain ol’ brush tool acts as sort of an in-between for me in terms of brush flow. It’s heavier than my usual workhorse brush, for faster color application and rough blending, but not as heavy as the pencil tool, which has no blending at all. I like to use the canvas texture on this brush to help break up the unnatural smoothness that usually accompanies digital brushes, but it works just fine without.

Flat Brush

A brush tool set to flat bristle is by far my favorite to paint with. I don’t use any textures with it because I think the shape of the brush provides enough of that by itself. I use it for everything from rough washes to more refined shaping and polish. It’s just GREAT.

Watercolor

Best used for smooth blending, washes, gradients, and smoky atmospheric effects.

Cloud

Basically a grittier version of the watercolor tool, because too much smoothness weird me out. Good for clouds and fog, as the name suggests, or just less boring gradient fills.

TEXTURE OVERLAY

To further stave off the artificially smooth look of digital painting, I almost always overlay some sort of paper texture, and it’s almost always this one, which I scanned and edited myself. You’re all welcome to use it, no permission required!

Using overlays in SAI is just as easy as using them in Photoshop. Just paste the texture into its own layer above everything you want it to apply to, and change the layer mode to Overlay. That’s it!

Want a more prominent texture? Up the contrast. Something more subtle? Lower the contrast or reduce the layer opacity. You can also use a tinted overlay to adjust the overall palette and bring a little more color unity to an otherwise disparate piece! Just be aware that too much texture can hurt the readability of the work beneath it, so I’d err on the side of subtlety.

Hope that helps!

-L

harteus:

aaah… well. i’m not exactly good at explaining things. just look at my million examples instead. )——:

22 . 03 . 14 noses  faces    +52876
Anonymous asked: can you give me some tips on how to draw teeth ?
22 . 03 . 14 teeth    +32680

nayrosartrefs:

Some awesome leg tutorials done by n3m0s1s.

© ARYASNARK